Gold, garnets and glass

Whenever people come and stay with us in Brum, we try and take them to at least one of the city’s impressive museums. The Museum of the Jewellery Quarter is my all-time favourite, but for sheer scale and calibre, the Birmingham Museum and Art Gallery comes a very close second. As well as its fantastic collection of Pre-Raphaelite paintings, the museum is home to a decent chunk of the Staffordshire Hoard, the largest hoard of Anglo-Saxon gold ever found.

The interpretation in the Staffordshire Hoard Gallery is fantastic (you can take the girl out of heritage…), with audiovisual stimuli, interactive digital and analogue activities, and all sorts of hidden gems (pun intended). For a jewellery maker, the sections on Anglo-Saxon goldsmithing techniques are particularly fascinating; I didn’t actually really know what cloisonné was until I went to the exhibition the first time.

The exhibition as a whole is so interesting that it’s hard to hone in on just one stand-out gold artefact. However, I’ve taken one for the team and given it my best shot. My favourite piece (or rather pieces) is a pair of gold and garnet fixings shaped like birds of prey:

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Staffordshire Hoard Flickr

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Staffordshire Hoard Flickr

Why this piece out of the thousands discovered? Well, three main reasons:

  1. The lines. My God, the lines. Look at those curves and corners and that elegant beak. I mean, please. The hoard contains thousands of elegant and intricate pieces, but for sheer style, these bird fittings are hands-down my favourite.
  2. Mixed media. Many of the artefacts contain both gold and garnet, but this pair is one of the few designs to include glass as well. The birds’ tiny glass eyes are a beautiful example of the potential working with a range of materials can offer.
  3. There are two of them. I know, I know, and the Pope shits in the woods… But seriously, having two of the same design in different conditions is so unusual and so interesting. The similarity of the two birds even in their varying states of damage is also a massive testament to the skill of the Anglo-Saxon goldsmiths.

I’ll probably write some more about the hoard as I invariably take everyone I know there over the next few years, so if anybody reading this has a favourite artefact or two, let me know and I might dig into it (pun always intended) in another post . For now, though, I’m off to watch Detectorists, because all this talk of metal-detecting and hoards has put me in the mood for a bit of Toby Jones and Mackenzie Crook.

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One thought on “Gold, garnets and glass

  1. Pingback: “A little something from Fabergé” | Florence The Magpie

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